By John Blofeld
This portrait of the Buddhist embodiment of compassion is either an informative learn via a number one student of Buddhism and an enticing account of the author's look for the magical value of the goddess. An item of joyous devotion in chinese language people faith, Kuan Yin is respected for her saving energy: it really is acknowledged that any one in misery who calls on her with sincerity might be rescued from pain and damage. On a deeper point, Kuan Yin symbolizes the releasing power of compassion, that's an crucial reduction within the quest for enlightenment.
John Blofeld inspires the fascinating presence of Kuan Yin via colourful anecdotes, own stories, and outlines of Buddhist rituals and legends encountered in the course of his travels all through China. even as, he bargains a discovered account of the goddess's background and value in chinese language notion and faith. He explores the beginning of the Bodhisattva of Compassion in India and Tibet, within the type of Avalokiteshvara (Tibetan: Chenresig), a male deity who developed into the light mother/maiden determine of chinese language Buddhism. Meditation and visualization innovations linked to Kuan Yin are given, and her vital iconographic varieties are defined. Illustrated with photographs from chinese language and Tibetan sacred artwork, the booklet additionally includes translations of devotional poems and yogic texts. Bodhisattva of Compassion is absolutely the main whole and illuminating photograph of Kuan Yin on hand.
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Indeed I shall call on her - and rvith faith enough for us both. Help will come and I shall wish ,o rt o* o". gtrtirude fittingly. , 'we'll do nothing of the kinci,' her-husbandansweredsourly. 'why, Norbu ? As you are sure rve have no hope, such a vow should not rrouble you at all. , -'Have it your_ownway. ur b. no possible doubt that any help'we receive comes from Tara. Iiaid comes owing to chanceor accident, we shall orve Tara nothing. y made their vow, kneeling side by side before the householdaltar,N'rrbu gr:owingrestlEssaspema's prayerswent on and on, and stai:ing on his knees only becausehe knerv of nothing elseto do but iie down and wait for death.
R. could b. no obiection to visualisilg w hat done, w ere kit a in a f or m s i mi l a r to T a ra ' s 1 a n d , i f th at prethus one, b e came need of bot h emb o d i m e n ts ? e assirnilgtion of Princess MiaO Shan a c om pas s iona teb e i n g e n i o y i n g th e ra n k of goddess' A ll of t his ma y s e e m a p ri v a te ra ti o n a l i sati on, unsubsfanti atcd. But there is persuasive evidence, as I \'l/asrecently able to c onf ir m . V is iri n g J a p a n th i s y e a r a t th e ri me w hen the beautl ' o f t hc har dy plu m -b l o s s o m s e e n a g a i n s t a background of snou' g iv es plac e- t ot h e fra g i l e c h e rry -b l o s s o m , I chanced upon three e ar l1, ' pair r t ingosf Ku a n Y i n , o r Kw a n n o n -Sama as she i s kno" vn in rhit country, For several reasons there could be no doubt that rhc figure depicted zrasKuan Yin, but her posture and the mndras t'ormed by the fingers of both hands were those of Tara !
There a--r hundre,cs of stories about her so close in spirit to this one as :,--,leave no roorn fbr doubt that they are essentially one and the sa:re being. r in the sense that all of them are emanations whose ultima:: sorirce is the Gre a t V oiC - illim it a b l e Mi n d . o f the m et hods o f i n v o k i n g T a ra , s o me a re :i mpl e. s i n c c . i n t h * : : s e o f a z u d c l e n rme rg . - nc y t, her e m a ]' n o t tre ti m e to E l i rrn c i a t; . - j ten svl l abi es. ;r t;r [_-,i;;_; -,-_-,.